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David Gatten
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David Gatten : ウィキペディア英語版
David Gatten
David Edward Gatten is an American experimental filmmaker and moving image artist. Since 1996 Gatten's films have explored the intersection of the printed word and moving image, cataloging the variety of ways in which texts functions in cinema as both language and image, often blurring the boundary between these categories.〔MacDonald, Scott. "Interview with David Gatten." Adventures of Perception Berkeley: University of California Press, Fall 2009.〕 His 16mm films often employee cameraless techniques, combined with close-up cinematography and optical printing processes.〔Armour, Nicole. "Private Investigations." Film Comment Nov./Dec. 2001: 71–72.〕〔Huldisch, Henriette. "Man of Letters." Artforum March 2006: 85.〕 In addition to the ongoing 16mm films,
Gatten is now making hybrid 16mm/digital works and has completed an entirely digital feature-length project called ''The Extravagant Shadows.''
Among other projects, he is currently working on a series of films entitled ''Secret History of the Dividing Line, a True Account in Nine Parts'', a project which ''Artforum'' magazine called "one of the most erudite and ambitious undertakings in recent cinema."〔Huldisch, Henriette. "Man of Letters." Artforum March 2006: 85.〕 He was awarded a Guggenheim Fellowship in 2005 〔"All Fellows". John Simon Guggenheim Memorial Foundation. Retrieved 20 January 2011.〕 to continue work on this series of films exploring the library of William Byrd II of Westover (1674–1744) and the lives of William Byrd and his daughter Evelyn Byrd (1707–1737).
In November 2011 ''Texts of Light: A Mid-Career Retrospective of Fourteen Films by David Gatten'', curated by Chris Stults, opened at the Wexner Center for the Arts. The three program retrospective screened in 2012 at the National Gallery of Art in Washington, DC; Harvard Film Archive; San Francisco Museum of Modern Art and other venues in San Francesco; and at REDCAT, The LA Film Forum, and The Velaslavasay Panorama in Los Angeles.
Two of Gatten's newest works premiered in the Fall of 2012. ''The Extravagant Shadows'' is a 175-minute work of high-definition digital cinema. It premiered at Lincoln Center in the New York Film Festival. ''The Extravagant Shadows'' was recently named the one of the "Top 10 Undistributed Movies of 2012" by a ''Film Comment'' international film critics poll magazine.〔(【引用サイトリンク】url=http://www.filmcomment.com/entry/50-best-undistributed-films-of-2012 )
A hybrid 16mm/HD piece, ''By Pain and Rhyme and Arabesques of Foraging'' premiered at the British Film Institute in the London Film Festival and nominated for the Tiger award at the International Film Festival Rotterdam.
Gatten is currently Lecturing Fellow & Artist in Residence Program in the Arts of the Moving Image & MFA in Experimental & Documentary Arts at Duke University.〔(Program in the Arts of the Moving Image, & MFA in Experimental & Documentary Arts at Duke University )〕
== Biography ==
Gatten was born on February 11, 1971, in Ann Arbor, Michigan, to Robert and Florence Gatten. He lived in Michigan and Ohio until 1978, when the family moved to Greensboro, North Carolina. Gatten's interest in the moving image originated in the mid-1980s, while in junior high school, when he began writing video game software with the TRS-80 operating system.〔MacDonald, Scott. "Interview with David Gatten." Adventures of Perception Berkeley: University of California Press, Fall 2009.〕
He graduated from the University of North Carolina at Greensboro with a BA in Media Studies and Art History.〔MacDonald, Scott. "Interview with David Gatten." Adventures of Perception Berkeley: University of California Press, Fall 2009.〕 Gatten received his MFA from the School of the Art Institute of Chicago in 1998, where he studied with Tatsu Aoki, Daniel Eisenberg and Shellie Fleming.〔MacDonald, Scott. "Interview with David Gatten." Adventures of Perception Berkeley: University of California Press, Fall 2009.〕 He is married to the filmmaker and writer Erin Espelie.〔Cutler, Aaron. "New York Film Festival 2010: Views from the Avant-Garde Wrap Up." Slant Magazine http://www.slantmagazine.com/house/2010/10/new-york-film-festival-2010-views-from-the-avant-garde-wrap-up/#more-17927. October 2010.〕

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